Absurd Singularity

Recently dug up some old anime LDs (yes, those big shiny discs) from over a decade ago that was stashed in our storage closet. Surprised that they've survived in quite excellent condition. Too bad they're worth next to nothing but does still hold some nostalgic value for me at least. ;-) And also, too bad that I haven't owned an LD player in about a decade. =p

First up, the ol' Kimagure Orange Road TV Series box sets. I remember these being a big deal back in the day. Here's a good writeup on exactly how this set came about. Yes I was amongst the initial 1000+ fans to petition AnimEigo for this set. So imagine my chagrin when they totally f'ed up my name in the credits. No, I'm not still bitter about it. ;-p

Back in the day, Maison Ikkoku and Kimagure Orange Road were my most-loved series. Since then, Maison Ikkoku has remained my number one while KOR has fallen by the wayside. I only recently noticed that AnimEigo had also released a DVD box set for it that's also out of print but I can't bring myself to spend anywhere between $400-750 for it as they seem to be going for on eBay.

Continue reading "Anime Relics" »

So today, practically the entire Northeastern seaboard was expecting to be hammered by the second of two major snowstorms within days of each other. Those of us north of Central Jersey were lucky enough to have avoided the worst of the first one that had dropped up to 2 feet of the white stuff in places. Earlier this week, I had decided to pull the trigger on a Canon 1D Mark III after seeing how ridiculously low (well, relative to other DSLRs ;-p) the price for these had gotten in the second-hand market after the release of the 1D Mark IV. I figured now was a good time to try out my first "pro" body plus I wanted to compare it to (and possibly replace) the newer Canon 7D that I currently have as my action cam. The 7D's a really impressive body with a great set of features but I haven't been entirely satisfied with the graininess of its high-ISO shots.

Luckily, the 1D3 arrived yesterday. Making today the perfect opportunity to test out its weather-proofing in the snowstorm. The snow was coming down quite heavily with occasional high-speed gusts of wind. I had ventured out into a prior storm with the Canon 5D Mark II but that one didn't match the overall intensity of today's brew. I guess I shouldn't be surprised to report that the 1D3 + 24-70mm f/2.8 lens passed the bad elements test with flying colors.

The camera was pretty much covered with snow after less than two minutes outside. After awhile I had melted snow running down pretty much every part of the camera and lens. At one point I brought the camera to my face to find that even the viewfinder was covered with snow. But a few quick and awkward wipes from a gloved finger and I was back in business.

The above two shots I took after coming back inside and doesn't fully represent what the camera looked like while outside. It definitely took a nice shower out there for about a hour and a half. But after a quick towel off after coming inside, the camera was none the worse for wear. The only thing I had to do was go over the front element of the 24-70mm with a brush and Lenspen to clean off the moisture stains and residual dust. Heft-wise, I was pleasantly surprised. Overall weight with the 24-70mm wasn't too bad. I never thought it to be too heavy while in use. I expect this to be different though with a beefier lens like the 70-200mm f/2.8 IS. I bolted that on last night and yeah, it was a damn heavy combo.

It wasn't all roses shooting with the 1D3 though. For one, I probably won't ever use the vertically-oriented set of controls (nor will I ever buy a battery grip for the non-1D bodies) because I switch focus points using the little joystick. While this works fine in the regular horizontal position, the joystick is pretty much unreachable when shooting vertically unless you have massive hands. Then there's the lack of auto-ISO which I've gotten used to on both the 5D2 and 7D bodies. Yes, changing the ISO is pretty simple but still, I've gotten lazy. ;-p And also there's no way to save multiple custom shooting modes on the 1D3. And then chimping on a 230k dot 3" LCD is really a huge step down from the standard 920k units nowadays. Everything looks so murky comparatively.

As for the image quality, out of the camera, the images from the 1D3 at higher ISOs look noticeably less grainy than the ones from the 7D as expected. Other than that, I haven't noticed much else different between images from the two bodies. The only remaining aspect to compare would be the AF system, something that I haven't had the chance to try out yet. But so far, I don't think that a 1-series body would be the best fit for me. Right now the only thing I'm sure of with the 1D body is that I can take it out into pretty much any environmental condition without any hesitation whatsoever. The 5D2 and 7D weather-sealing may be just as good as the 1D bodies but I still feel more hesitant to bring those two out in the rain. Being able to hold the camera normally while shooting vertically would have been a plus but with the joystick location the way it is, that's pretty much not an option for me.

So for the time being, my dream camera still remains the full-frame sensor body of the 5D2 with the AF system of the 7D. C'mon Canon, that's not too much to ask for is it? =p

And all I've got to show for it are these lousy photos. ;-p

Obviously there were some much better days than others (I'm nowhere near the level where I can crank out stunning shots every day, unlike some other photographer's projects that I've run into throughout the year) but overall I had a good time doing it. Frankly I'm surprised that I actually completed it as there were quite a number of days where I was still scrambling to find something to shoot at 11:45pm. ;-p

It's going to feel a little strange not having to come up with something every day but I'm not sure if I can turn off the bit of my mind that's constantly on the lookout for an interesting view. This project has scarred me that much. =) I decided not to continue this year with the 365@50 project as I definitely feel the need for a break. But I may start dabbling in The Daily Shoot every now and again.

Anyway, I would definitely encourage anyone interested in starting a 365 project of your own. It definitely won't be a cakewalk but doing it in the company of others (even virtual) can help a lot. I'm not sure if there's any real words of wisdom I can pass along to those in search of inspiration during their projects except to peruse the works of others and when all else fails, go macro. ;-p

Ah yes, and lest I forget, Happy New Year everyone! May your 2010 be full of memorable moments. =)

Just a few things I thought were interesting/amusing in the past few weeks.

After opening up a box of Dunkin' Donuts and moving to grab a chocolate kreme one (basically a white powedered donut filled with chocolate cream with a dollop of decorative chocolate cream hanging out of one side):

Devon [all excited]: Don't eat that! It's got doggy poo on it!

Ah I love my kid, always looking out for my best interests. That is when he's not busy pretending to rip my head off. =p

~~~~~~~~~~~~~~~~~~~~

Talking to my mother about my grandparents' old home (they've both passed on already) and why my mom and aunts haven't done anything with it yet, she mentioned that if they tried to sell it, it'd be a hassle cause they'd have to get my grandparents' permission. Confused, I asked her what she meant. Now, worshiping one's ancestors is pretty normal in Taiwan (I believe it's part of Taoism) and I had known that there was a little shrine on the top floor of the home where I'd always have to visit once whenever I returned to Taiwan to pay my respects to my grandparents. What I didn't know was that because this shrine was there, any future attempts to move it (which selling the home would ultimately lead to), required the deceased's permission.

And how exactly do you go about getting their permission? Basically you have these two curved wooden markers which you hold in your hand while standing in front of the shrine and conversing with them, explaining the situation and then asking for their answer. Then you cast the markers onto the floor (or whatever flat surface happens to be handy). Depending on which side up the markers wind up, that's your answer. If both markers land curving upwards, then the spirits have found your request highly amusing and are laughing their asses off. If both markers are curved down, then the answer is no. If one is up and the other is down, then yes.

To me, this seemed pretty much like gambling. Plus I couldn't see what was stopping anyone from just throwing the markers until you got your preferred answer. So then my mom went into some anecdotal stories (which I won't get into here to protect the innocent) about how the spirit(s) would keep refusing until the living had pretty much explained everything that could possibly be explained about the reasons for the request. Which, now that I think about it, is pretty similar to what parents have to go through when trying to explain things to toddlers. They're not verbal enough to let you know exactly what they're thinking so you wind up explaining things six ways to Sunday in an attempt to get them to logically accept that what you're trying to get them to do or believe is the right thing. Except I guess when you're talking to spirits you can't use the "Because I said so!" nuclear option. Or maybe you can, you'd just have to deal with some possible hauntings and unlucky events afterwards. =p Which again, is very much like dealing with unruly children. ;-p

But anyways, I just thought it was one of the more interesting conversations I've had recently. Plus the fact that the markers give you not just a simple yes/no answer but also a "we thought that was really damn funny" option I found highly amusing.

With 30 days left in my first 365 Project, I've been looking ahead and pondering whether or not to continue in 2010 with the 365@50 Project. I'm still undecided. Maybe I'll take a year off first. But just in case, I'll be testing out a few 50mm lenses as I don't currently own one. In my previous forays with the 50mm (I've owned at one point or another: Canon f/1.4, Canon f/1.2 and Sigma f/1.4), I've never been completely excited about it. Sharpness wide open never seemed to be that great (although to be fair, I've been comparing them to my 85mm @ f/1.2 that's wonderfully sharp).

The first two to arrive are the Sigmalux (Sigma 50mm f/1.4) and the Zeiss Planar 50mm f/1.4 ZE. The Sigma is still a tank, large and well-built. Bokeh is still as creamy as ever but this particular copy seems to be a bit softer than I was expecting wide open. The Zeiss follows more along the lines of the Canon and Nikon 50mm f/1.4s in size except it's fantastically well-made with its all-metal body (even the hood is metal!). Its bokeh does not lose out much if at all to the Sigma and it does seem to be sharper wide open although kind of hard for me to tell at times because it's still tough to nail focus through the 5D2's viewfinder (even with the EG-S focus screen) at that large aperture. But I'm very impressed with it. I just wish it had autofocus. =\

Anyway, I'm expecting the Canon f/1.4 and f/1.2 either today or tomorrow so will be posting another pixel peeping post in the next few weeks. Should be interesting. =)

Transcribing a conversation Erin had with Devon a few days ago (as told to me by Erin):

Devon: I have something stuck between my teeth.
Erin: Oh? Where is it? Let me see...
Devon: Something's stuck in there, you need to get it out with candy.
Erin: Something's stuck? Let me get the toothbrush.
Devon: Never mind, it fell out.

Mom: 1, Devon: 0.

So, it's been a little over a year since my last earphone post. Ever since I picked up the Etymotic hf2, it has been my preferred everyday earphone for use with the iPhone. However, the hf2 isn't without its problems. Or more specifically, one HUGE problem. There appears to be a manufacturing defect with the original hf2 that causes either the left or right channel to just cut out for no visible reason. The weak point seems to be where the cord meets the plug, cause if I messed around with the cord a bit right above the plug, the sound would come back, but immediately disappear again if the cord was moved. So it appears that the wire within the cord was breaking somehow even though the exterior plastic cord was fine. This issue happened not once, but THREE times in the past year and a half. Thankfully, Etymotic replaced the non-functioning ones free of charge since they were all under warranty. And I know it wasn't user error because after the first time, I was doubly careful every time I unplugged the earphones, gripping the plug and not the cord.

(l to r) Etymotic hf2, Shure SE115m+, Klipsch IMAGE S4i

A more impatient fellow would have given up after the second occurrence of this issue and probably switched to another brand. Luckily for Etymotic, and unfortunately for me I guess, I still stuck with them because there weren't any other iPhone-compatible earphones that could compare at the time. When it wasn't broke, the hf2 was still the best-sounding microphone and controller-equipped earphone available.

Continue reading "Earphones Once More" »

So I've owned the Panasonic LX3 for quite some time now and overall I like it a lot as my DSLR alternative. The only weaknesses being its limited pocketability and short zoom range (24mm-60mm). For a point & shoot, it's packed full of yummy features and controls that will satisfy the majority of control freaks out there. Enter the Canon S90. Reborn from the ashes of the old S-series (which hadn't been updated for 4 years), the S90 brings back the RAW-shooting capability of its S70 progenitor and more importantly, does it in a significantly smaller body.

One other notable feature on the S90 is the large lens aperture (for a point & shoot) on the wide end (f/2.0 at 28mm). Unfortunately that wide aperture isn't maintained across the zoom range (dropping down to f/4.9 at 105mm) but I assume that wouldn't have been possible without increasing the size of the camera significantly. Now the LX3 is also capable of f/2.0 at its widest setting (24mm) and that decreases slightly to f/2.8 at its longest (60mm). So it's only natural to compare the two although the S90 is one stop slower (f/3.5) around the 60mm range.

For this shootout, I'm only testing the JPEGs, not the RAWs, from each camera. Photos were shot in Av mode, white balance was set to Tungsten, image stabilization was turned on and i-Contrast was set to Auto on the S90 while iExposure was set to Standard on the LX3.

Continue reading "Panasonic LX3 vs Canon S90 JPEG Shootout" »